by craigepplin

I’m very happy to announce that a project that’s been in the works for a while is now public. It’s called Furniture in Motion, and it’s a pamphlet series that I’m editing for Rattapallax. Here’s the official description:

Furniture in Motion is a pamphlet series published electronically by Rattapallax, with an emphasis on visual culture. The titular image is borrowed from the Chilean poet Nicanor Parra. Against the majesty of trees, Parra’s classic antipoems give us instead a world of home furnishings, tables and chairs in perpetual circulation. This is poetry as carpentry. Similarly, the entries in this series do not seek a return to roots. Rather, they take up ideas in flight, images in flux.

The first volume is a brief, beautiful treatise called The Oyster. The authors, Dejan Lukic and Nik Kosieradzki, take the oyster as the occasion for a meditation on form and chaos. In eight manifolds, they unfurl the oyster in its various modes of existence: a plastic form, a pulsating thing, a culinary delight, an object of representation, a factory of pearls…

In other news, I’ve been reading more than blogging lately. A couple books I’m deep into: Leslie Jamison’s The Empathy Exams (Graywolf, 2014) and Óscar Martínez’s The Beast: Riding the Rails and Dodging Narcos on the Migrant Trail (Verso, 2013). In very different ways, both authors integrate themselves into the prose in really effective ways. Both books come highly recommended. I also just heard that Sergio González Rodríguez has won the Anagrama essay prize for his new book on global war. I’m excited to get my hands on that once it comes out.

More soon.